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Archive for the ‘Old School’ Category

Highway 50, just outside of Great Basin National Park

You might not know, but there are 59 national parks and 4,092,729 miles of roads in the United States.

All the roads in Brazil, Germany, New Zealand, Canada, Japan, Mexico, Sweden, and France combined would not equal the length of America’s roadways.

Believe it or not, there was a time in our not-so-distant past when there were no paved roads bridging the gap between civilization and the North American wilderness.  The earliest Harley-Davidson motorcycles had the same suspensions as bicycles of the time: none at all. The roads were a hodgepodge of dirt, stone, and other materials. Bumps were everywhere!  Harley-Davidson’s weren’t necessarily the fastest bikes on the market, but they were built with reliability in mind and were among the first truly heavy duty motorcycles in the world that could be relied on for safe running over the atrocious roads of the day.

1913 Harley-Davidson Model 9-B Single — Valve Side

The transformational American road-trip essentially became touring wide-open spaces from the saddle of a motorcycle.

In last months posts, I touched on a collection of classic motorcycles in the northwest and provided tribute to an inspirational man (Bob) with a genuine love of wrenching motorcycles.  I also illuminated his first restoration in the collection — a 1937 Harley-Davidson Model U-Series Flathead.

In this post, I’m plunging head first into another motorcycle in the collection, a Harley-Davidson 1913 Model 9-B Single.  It was already Harley-Davidson’s 10th anniversary when this bike originally rolled onto the showroom floor. From their humble beginning and that first bike built in their 10′ x 15′ shed, they had overcome the competition to produce over 1,000 motorcycles in 1909 to almost 17,000 bikes in 1913.

1913 Harley-Davidson Model 9-B Single — Transmission Side

According to an advert for the 1913 Chicago Motorcycle Show, Harley-Davidson states (page 10) that they sold out their entire manufacturing output in 12.5 weeks!  Clearly, the Milwaukee motor company had grown past the “motorized bicycle for fishing trips” into planning  motorcycles for large volume production.

Postured affectionately in the corner of the vintage collection showroom, you’ll want to gaze at this motorcycle for hours, and each time notice something new. A small hand-turned screw on a throttle linkage, a one-off brass cam on the carburetor body, a perfectly machined castellated nut on the rear hub that firmly holds the pedal sprocket – a few indicators of its origins as a commercial motorcycle. All of these details amaze and remind me of just what this bike was built to do – both by its original designers and by its inherited restorer.

1913 Model 9-B Single — Valve Side Close-up

It was interesting to learn that Bob’s motorcycles were never chosen for specific “provenance” or heritage — the range of manufactures in the collection represent personal tastes as well as unique expressions — beauty, performance, functionality and style that resonated with him through the years.

This 1913 Model 9-B single originally sold for $250.00 at the factory in Milwaukee and it took Bob more than 15 years to fully restore.  It’s the oldest motorcycle in the collection, and was one of Bob’s top-three favorites, but not the rarest or most collectible in the world.

Restoring a Milwaukee icon is no easy task, but with Bob’s guiding hands this motorcycle showcases exceptional restoration craftsmanship, pristine attention to detail, and along with some unique history it might well mean that it is destined to be in a museum some day.

1913 Model 9-B Single — Transmission Side Close-up

The condition of this single-cylinder, four-cycle, air-cooled model is truly immaculate and a bill-board poster of simplicity.  It’s also the foundation of what generated the Milwaukee motor company mystique.  The motorcycle features a 35 cu in (565cc) motor with a nominal 5 HP, an overall weight of 235 pounds, a 2-gallon fuel tank, a 3.5 quart oil tank, and a Bosch magneto placed behind the motor to keep out road grit.

For the 1913 model year, the Harley single was updated with the mechanically operated inlet valve (replacing the ‘atmospheric’ type), which was developed first for the twin cylinder models, and at the same time boasted a balanced bottom-end, alloy piston and improved carburetor.  The stroke was increased to 4 inches as compared to 3.5 inches of the former model.  The wheel-base on the singles were 1 inch shorter than the twins.

1913 Harley-Davidson Model 9-B Single — Front Fort Close-up

Harley-Davidson also made a small change to the form of the clutch lever operating the “free wheel” in 1913.  On the flat belt models a guard was mounted.  These motorcycles were popularly known as the ‘5-35’ (5 horsepower, 35 ci displacement).  The 9-B single was available in belt and chain-driven versions while ease of use was considerably enhanced by the adoption of the rear hub clutch first seen on the twin cylinder.  As the twin’s popularity grew, the single declined, accounting for only 4% of sales in 1917 and production of the Harley-Davidson ‘5-35’ ceased in 1918.

The gray color paint on the restored motorcycle includes a bold striping scheme, which complements the original manufacturing process of taking great care during the enameling procedure with three hand rubbed coats of paint followed by a protective varnish.

1913 Harley-Davidson Model 9-B Single — Transmission Side

Manufacturing the Model 9-B single made up the majority of the company’s production in the early years.  By 1912, all Harley-Davidson’s had gained mechanical inlet valves and all-chain drive, but this restored model, included the belt option, which was offered for several years.  Both singles and V-twins had single-speed transmissions with a robust rear hub clutch operated by a tank-side lever, and their new mechanical inlet valve meant more power and higher revs were possible. The valve side has a pedal-and-chain drive. With the rear wheel raised up by the stand and with the clutch engaged, the pedals are used to crank the motor. The brake is engaged by a slight backward pressure on the pedals.

The rider sits on a leather brown saddle, mounted with a central, sprung pillar sliding with the frame’s vertical saddle tube, which was positively located by an articulated lever pivoting from the top frame, just ahead of the saddle nose.

1913 Harley-Davidson Model 9-B Single — Top Looking Down at Valve Side

Harley-Davidson called this the “Full-Floteing” seat—a riders comfort not-with-standing accurate spelling—as the system should be quite familiar to any Duo-Glide owner.  The oil tank hid with the tool box. While the engine’s drip oil feed was “automatic,” any hard riding owner could give a visible shot of fresh lubricant from a tank-top hand pump.

The 1913 motorcycle frame was reportedly stronger than the previous year models and provided better handling, while the new vertical fins atop the cylinder head allowed the engine to run cooler.

1913 Harley-Davidson Model 9-B Single — Transmission Side

As mentioned earlier, the Bosch magneto was placed behind the motor to prevent collection of road grim, and proved to be a reliable instrument, making the machine easy to start via its bicycle pedals on the stand or off the stand using the valve lifer to take off.  The motorcycle has 28 X 2.5 tires with an Eclipse Knockout front hub that allows the tire removal by taking only one nut off.  The brakes are “coaster type” on the rear wheel like today’s simple pedal bikes.

In the late summer of 1913,  a new board track was opened in Milwaukee, right in Harley’s back yard.  The company’s professional race abstinence came to an end as Harley-Davidson change its corporate mind and the Racing Department was formed, with William Ottaway as its first Assistant Engineer to racing engineer William S. Harley.

1913 Harley-Davidson Advert — Courtesy of Motorcycle Illustrated and Google Books

The Harley twins pulled ahead of Indians and would dominate motorcycle racing in 1914.  The Racing Department was referred to informally as the “Wrecking Crew.”  However, one of the racers acquired a pet piglet, which was quickly adopted as the team’s mascot, and helped popularize the nickname ‘the Harley Hogs’ due to the race team carrying the team’s mascot around on the motorcycle fuel tank during victory laps.

The 9-B single is truly a peppy machine and can be ridden all day long at 40-45 MPH, as proven in the Motorcycle Cannonball Endurance Run, where a 1914 single-cylinder Harley-Davidson won the 2018 event with a steady, thumping pace.

This 1913 Model 9-B was a frame-off full restoration which Bob completed in the 1980’s.  Parts were sourced as needed from various swap meets, nickel ads, flea markets, yard sales, and scanning newspapers to find an elusive part!  There was no Dubya, Dubya, Dubya (i.e. Internet) in those days.  Most of us will never know the feeling of satisfaction derived from unearthing the perfect part at a swap meet and haggling its price down to a bargain.

1913 Harley-Davidson Model 9-B Single — Transmission Side

During the course of multiple interviews, I ask if anyone knew why Bob was so fervent about recruiting parts from swap meets. It turns out that Bob and his wife loved to travel. And, in the course of seeing America from a motorcycle, he recruited ever more vintage enthusiasts to help him find and locate parts for motorcycles he had in the restoration queue.

Those early days began the tradition of keeping motorcycles running and riding as much as possible.  It was called “self-assemble.”  Buying a complete front end may wipe-out your budget, but if one guy has a set of tubes for $40, and you remember seeing a triple tree on that table over by the Port-A-Potty, and you manage to negotiate a wheel and axle for $35… well, you are most of the way to having a front end cheaper than buying a complete unit — if it existed!  The rides and swap meet experiences were some of the best and fun times for Bob and his wife.

This is one of the finest restorations of an early Harley-Davidson model anywhere!

Previous posts on this vintage collection:
Vintage Restorations Uncovered In The Northwest
A Northwest Collection Gem – The 1937 Flathead

Photos taken by author. The black & white Motorcycle Illustrated advert courtesy of Harley-Davidson and Google Books.

All Rights Reserved © Northwest Harley Blog

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Harley-Davidson 1937 Model UL — Flathead

In a previous post, I briefly touched on a remarkable collection of classics in the northwest and how I was most fortunate to interview the family and learn more about an inspirational man with a genuine love of wrenching on vintage motorcycles.

In this post, I’m taking a deeper dive on the first (frame-up) restoration in that collection — a 1937 Harley-Davidson Model U-Series Flathead.

According to Harley-Davidson, the UL production in 1937 was 2,861 units and the motorcycle sold for $395 or the equivalent purchasing power of about $7,100 in 2020.

Harley-Davidson 1937 Model UL — Teak Red

There is nothing more alarming than a motorcycle that has been built, modified or customized by someone of dubious talent and knowledge. All it takes is a quick spin around Craigslist, searching for the terms “project,” “bobber,” “custom” or “café racer” to turn up any number of bikes that will have you saying WTF.

Many times these projects are started with the best of intentions, but the absolute worst are the ones that are started in an attempt to make a quick buck, or resurrect a wadded up bike.

However, this ’37 wasn’t someone else’s project.  It would need help bringing her back to life, but it had all the original sheet metal, flathead engine, transmission, speedometer, leather saddle bags, solo seat and more.

Instruction Manual

Bob spent several years on the identification, collection of manuals and parts search for this exceptionally high caliber restoration.  He completed the motorcycle restoration in 1975 and was often seen riding it at various antique club events through-out the years. The motorcycle has lots of crowd-pleasing brightwork, is an excellent runner with showy pieces of Art Deco styling and old school looks.

A fascinating backstory is the original restoration color on this ’37 was Olive Green with Black striping. Bob loved spending time with his grandkids who were all very involved in taking things apart including motorcycles.  It started with bicycles then mini-bikes and later on with motorcycles and automobiles.  In his workshop, he’d show them how to take apart things and repair them — the correct way — with the correct tools!  Several years after completing this restoration, he decided to work on a project with his grandkids and taught them how to disassemble the ’37 inorder to repaint the sheet metal Teak Red.  Those kids meant the world to him and passing down his tradesman skills might be his legacy.

1937 Harley-Davidson Model UL

The ’37 is an excellent example of the — Flathead Engine — a charming, honest, beautiful bike that doesn’t rely on diaper-shined chrome or flawless paint to impress.  Named for its flat-topped, vented cylinder heads, the side valve-equipped (using tappets) 74 cubic inch V model Big Twin actually came out in 1930, but in 1937 the U-series motors were of dry-sump oil design.

At first flatheads seemed out-of-step or backwards compared to higher-horsepower overhead-valve designs. But, out in the real world, the “flatty’s” broad spread of torque, less clattery operation and cheaper buy-in continued to win over riders.  The 74 cubic inch “F” motor has a 4-speed tank-shift transmission and a Linkert M51 mechanical butterfly carburetor.

The teardrop-shaped fuel tank is adorned with an instrument panel (dubbed the “Cat’s Eye”) that bundled all the gauges into one graceful package. It even has the rare dash panel with the oil and amperage indicators.

1937 Harley-Davidson Model UL — aka “Cat Eye”

The Big Twin model was built in part to compete with the 74 cubic inch Indian Chief.  The U and UL models featured 74 cubic inch power plants, and the UH and the ULH models were outfitted with 80 cubic inch engines. The 80 cubic inch models were produced until 1941, and the 74 cubic inch U and UL models were in production until 1948. The three-wheeled Harley-Davidson Servi-Cars made from the early 1930s through 1975, were powered by flathead engines during their entire run of production.

One of the most notable improvements found on the ’37 U-series, was the new design, which recirculates the oil from the oil tank, through the engine and back to the oil tank. Up until 1936, all Harley-Davidson motorcycles used “total loss” systems, which essentially ran the oil from the oil tank, through the engine and ultimately onto the ground.  Thus the nickname: “road oilers.”

1937 Harley-Davidson Model UL

The valves are actuated by four gear-driven camshafts (one per valve) and used adjustable tappets to maintain precise spacing between the cam lobs and the valve stems. Although the cylinder heads don’t contain any moving parts, they do play an important role in cooling the engine. Initially Harley-Davidson outfitted the U-series motors with cast iron cylinder heads, but soon switched to forged aluminum alloy heads with deeper cooling fins for improved cooling. The engine has brass spark plug inserts added to address the former engines’ problems of stripping threads. This motorcycle doesn’t have them, but at the time customers could opt for optional silicon aluminum heads.

1937 Harley-Davidson Model UL

Fuel and air are fed into the motor using a single Linkert carburetor, which is positioned on the left side of the motorcycle. Harley reversed this arrangement for its overhead motors, which all have right side carburetors. Exhaust was routed and expelled via a single fishtail muffler on the right side.

The primary chain, located on the left-side,  transmits power from the engine to the 4-speed transmission. The transmission is hand shifted via a lever mounted on the left side of the fuel tank and the clutch is controlled with a foot pedal. A secondary chain transmits power from the transmission to the rear wheel using a brake drum mounted sprocket.

The front and rear drum brakes are engaged manually with no hydraulic assistance. The front uses a cable to connect a right side mounted hand lever to the left side mounted drum. The rear uses a series of adjustable rods to engage the motion of the right side brake pedal through the frame and out to the left side mounted rear drum.

1937 Harley-Davidson Model UL

The ’37 Model UL rides on a “hardtail” frame.  Basically, there is no rear suspension. The sprung solo seat helps offset the lack of any rear suspension, and the “Springer” front end is the main suspension on the Model UL.  It’s a two piece element that uses six external springs on the top and moveable rocker arms on the bottom. The springs absorb impacts while the rocker arms permit vertical movement of the front axle.

The left hand grip operates the engine timing, allowing a rider to retard the timing for easy starting and advance the timing for normal running. The horn button and the high/low beam switch for the headlight are located on the left side handlebar as well.

1937 Harley-Davidson Model UL

Shifting the 4-speed transmission is accomplished using a hand lever that is attached to the left side of the fuel tank. A shift gate helps the rider find the gears without skipping gears when shifting. The foot operated clutch, known as a “rocker clutch” is used to engage and disengage the clutch. All Harley’s use the “toe to go” set up where pressing the clutch pedal forward with the toe engages the clutch and pushing the pedal back with your heel disengages the clutch. A friction disc is used to keep the clutch pedal in the heel back position, so that the rider does not have to keep their foot on the pedal when the motorcycle is stopped.

It’s challenging to explain the ’37 Harley-Davidson Model UL mystique.  There is both excitement and apprehension in managing the technique of a rocker clutch and tank mounted shifter.  Adding to the rider challenge is counteracting the heavy Springer front-end during a corner. Stability, if there is such a thing on this model, is a complicated matter and the manufacture of motorcycles in the 1930’s were very reluctant to talk about it.

In the fast moving world we live in today, it’s difficult to wrap your head around the bicycle-like origins starting in the Davidson family’s backyard more than 116-years ago.  If we had the luxury of going back in time, we could ask the young inventors, but I’d anticipate the founding group would be exceptionally proud of Bob’s restoration treasure and the enduring craftsmanship on “their” 1937 Model UL.

UPDATED: March 8, 2020 — The third post on this vintage motorcycle collection is: Every Restored Motorcycle Has A Story — The 1913 Single

Author Comments:  Although my name appears on the post, it takes a “village” to pull together this type of information.  I’m not only delighted to be working with Bob’s family, I also get the honor of thanking them here.

Photos taken by author and courtesy of Harley-Davidson.  

All Rights Reserved © Northwest Harley Blog

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Archives Warehouse — Harley-Davidson Museum — Milwaukee, WI

Before jumping into the nuts and bolts…

Disclaimer: Some of the names and identifying details have been changed to protect the privacy of individuals.

This article is the first in a series of planned posts about a collection of vintage motorcycles in the northwest and the man whose work was steeped in the craftsmanship necessary to become proficient at restoring this collection.

Outbuildings, Workshop and Showroom

I’m not a motorcycle archivist, but definitely a fan of reflections in a classic motorcycle headlamp. Vintage motorcycles turn heads wherever they go.

You might find on a typical road trip to Sturgis, a classic motorcycle rattling along in it’s own space in the slow lane.  You’ll roll up along side to pass then with a nod to the rider, be momentarily distracted from the road as the vibrating antique parts try and reach out to tell their story.

I came to know about this remarkable collection of classics in the northwest and was most fortunate to interview the family.  Getting a tour of this private collection is a slow-walk through motorcycle history in America.  I was not only impressed with the number, but also the significance and uniqueness of them.

January 1937 H-D Enthusiast

As a general rule, bloggers are impatient and eager to illuminate a story, especially when it comes to finding a rare stash of motorcycle history.  But, I wanted to be deliberate in the research of the bikes and truly capture the ‘soul’ of the story — the man who is behind the restorations and who made the magic.

Let’s call this man, Robert (Bob) — the heartiest of men with a large stature, a strong handshake, a friendly smile and a genuine love of wrenching on classic motorcycles.

There’s something a little magical about taking an old, neglected, forgotten motorcycle, bringing her back to life, and restoring it to her former glory.

Why do classic motorcycles grab us fiercely by the heartstrings?

There is no simple answer to that question, but one thought is they intersect with our own history.  If not you, then your father or granddad, all who would’ve been lucky to ride one of these works of art and as is often the case, it triggers a flood of fond memories.

1937 Harley-Davidson Model UL

To provide some historical context and mental imagery — it was a time when there were far fewer people around, fewer laws and regulations, when gas was cheap, when driving was a pleasure, and if you owned a powerful two-wheeled machine you could point the chrome headlight down an empty road and go!

In 1937, the San Francisco’s Golden Gate Bridge opened to traffic — at about the same time, a new generation of side-valve engines were introduced from the Milwaukee motor company.  Replacing the V series which had a “total loss lubrication” system, the new U series motors in 1937 were dry-sump oil designs. Most of the motorcycle parts were made in common with the Model E 61 inch OHV motorcycle that debuted a year earlier.  As it turns out, Bill Harley was granted patent 2,111,242 for this oiling system on March 15, 1938.

1913 Harley-Davidson Model 9B

The completely revised engine had many upgrades that separated it from the earlier V motor including new cases, cylinders and now had roller bearings throughout the lower end. New forks, frame and sheet metal improved the image of the new bike, with styling cues heavily influenced by the Art Deco movement, something that the flowing lines of paint and emblems reflected.

Fast-forward to 2020 and my private tour was finally here!

1948 Harley-Davidson Model 45

I’ve aspired to attain eminence in photography and my bucket list includes photographing motorcycles in a professional studio.  But, finding a studio with a large white soft-box that’s big enough to ride a motorcycle into is an obstacle.  Well, it is for a regular guy and renting a commercial studio with light stands, multiplex flash strobes, drop clothes and diffusion panels to eliminate reflections in the paint wasn’t in the budget.

But, I’ve digressed…

I stepped through a side-door entrance and onto the wooden floor of the showroom that houses the motorcycle collection. The space is huge and it’s open and airy with an industrial aesthetic and light pouring in through multi-paned windows.  There is a lingering smell of oil and I noted a few drops on the polished floor.

1916 Indian Power Plus

A beautiful collection!

I didn’t want to be that annoying “tourist” snapping too many photos, but I was that irksome camera-happy dude on this day.

It was a “ride through history” on rare and collectible motorcycles. More significant, were the remarks about the attention to detail and listening to the fascinating backstories, anecdotes, folk-lore and the restoration tales that my “tour guides” shared on each of the motorcycles.

A panoramic scan of the showroom is an overload of storytelling. Side-stepping across the wooden floor finds a person gazing across more than a dozen motorcycles stacked side-by-side.  Set up like an academic library, against an outer wall are multiple bookcases and shelves, where hundreds of engine manuals and parts catalogs were filed away.

The only item missing in this showroom was an onsite cafe!

1925 Henderson Four

There is even an old draughtsman drawing board complete with an articulated protractor head displaying some vintage documents.  The illustrations contained a collection of various engines schematics from their earliest incarnation.

Deep breathing makes a person more aware so, I quickly exhaled, then took another big breath while meandering my feet slowly across the showroom floor.

A bright Teak-Red restoration caught my eye; it was a stunning 1937 Harley-Davidson Model UL flathead.  It’s a little like seeing a childhood photo of someone you miss.  Then I turned to look at a bicycle form of mechanical sculpture…a tribute to the original “Silent Grey Fellow” was gently positioned in the corner — a rare 1913 Model 9B single cylinder… the very essence of simplicity!

Engine Manuals and Parts Catalogs

These old motorcycles were made when clunky was normal and oil leaks were expected. It’s oddly endearing.

Gleaming in the middle was an Azure Blue over Silver 1948 Harley-Davidson Model 45 and at the far end of that row was a shiny Dark Blue 1925 Henderson 4-cylinder.  And placed at a right-angle near the Henderson was a beautifully weathered 1916 Indian Power Plus that looked as if it had just been pulled out of a barn for the first time in many decades.

I’ve listed only a few of the motorcycles in this gem of a collection.

It’s striking and every motorcycle reaches out to tell a unique story of the time, money and effort required to be restored. Imagine how often you’d want to call in sick to skip work so that you could tinker with these bikes.  It speaks volumes of Bob’s discipline, persistence and the decades long practice of his craft.

If you are like me, old things make you feel young.  Admittedly, I have a fascination with dusty items and will be posting several articles on these vintage motorcycles, the workshop and the man behind the restorations.

Stay tuned…

UPDATED: February 27, 2020 — The second post on this vintage motorcycle collection is a deep dive on a restored 1937 Harley-Davidson Model UL Flathead (HERE).

UPDATED: March 8, 2020 — The third post on this vintage motorcycle collection is at: Every Restored Motorcycle Has A Story — The 1913 Single

Photos taken by the author and courtesy of Harley-Davidson.  Cover of the 1937 Enthusiast is courtesy of Harley-Davidson Museum.

All Rights Reserved © Northwest Harley Blog

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Harley-Davidson Two-Cycle Engine

When you think about Harley-Davidson motorcycles, it’s most often about the V-Twin engines, the retro-styling and the inescapable sound.

Many forget that the motor company manufactured a lightweight two-stroke engine and runabout motorcycle for 15-years.

In 1947 as a 1948 model, if you purchased an entry level runabout motorcycle it came with a two-stroke 125 cc single piston motor.  There were two motorcycles engines built — the Model 125 or S-125 (eventually called the ST-125).  The Model 165 or ST-165 replaced the ST-125 in 1953 when the engine size was increased to 165 cc. The ST models were the motor companies idea of how America motorcycle riding should be accomplished after WWII.

The Hummer

So how did Harley-Davidson develop or get the 2-stroke design?

The name “DKW” comes from a two-stroke engine built in 1919 by the Danish engineer Jørgen Skafte Rasmussen, in Saxony, Germany. It was a small engine, which Rasmussen called Das Kliene Wunder (the little marvel) that gave DWK its start in the motorcycle industry.

As WWII drew to a close in 1945, DKW’s factories had either been damaged or occupied by the Red Army. The Soviets took DKW plans, tools, and personnel back to Moscow where copies of the 125 were soon produced. The Soviet version of the 125 was first released in 1946 as the Moskva M1A and later as the K-125.

AMF Merger – 1969

As part of Germany’s war reparations, Harley-Davidson acquired the rights to the German DKW three-speed, two-stroke 125 cc Single.  Harley product shipments began in 1948 and thousands were manufactured in various incarnation until production ceased in 1966.

An updated model called the Hummer was added to Harley’s lineup in 1955, and subsequently all Harley single-cylinder two-strokes built between 1948 and 1966 incorrectly have come to be known as Hummers. The Hummer was named after Dean Hummer, a Harley-Davidson dealer in Omaha, Nebraska who led national Harley two-stroke sales.  The Hummer was very basic — it had magneto ignition and was sold without battery, electric horn, turn signals, or a brake light.

The Topper Scooter

In 1960, Harley-Davidson consolidated the Model 165 and Hummer lines into the Super-10, introduced the Topper scooter, and bought fifty percent of Aermacchi’s motorcycle division. Importation of Aermacchi’s 250 cc horizontal single began in 1961. The motorcycle had Harley-Davidson badges and was marketed as the Harley-Davidson Sprint. The engine of the Sprint was increased to 350 cc in 1969 and would remain that size until 1974, when the four-stroke Sprint was discontinued.

In 1962, Harley-Davidson built the Ranger, an off-road motorcycle without lights, made only for a year.  It had an extra-low final-drive ratio of 7.0:1 (12-tooth countershaft gear and 84-tooth rear sprocket) had neither a lighting system or front fender. Speculation was this motorcycle was built to consume the motor company supply of 165 cc engines, which would not be needed for any other models.

Aermacchi-built Harley-Davidson — The  Sprint

After the Pacer and Scat models were discontinued at the end of 1965, the Bobcat became the last of Harley-Davidson’s American-made two-stroke motorcycles. The Bobcat was the last of the 125-based Harley’s and manufactured only in the 1966 model year.  It was also the only 125-based Harley with a standard dual seat.

In 1969, American Machine and Foundry (AMF) bought Harley-Davidson, streamlined production, and slashed the workforce. The tactic resulted in a labor strike and lower-quality bikes.  Sales and quality declined, and the company nearly went bankrupt.

Harley-Davidson replaced their American-made lightweight two-stroke motorcycles with the Aermacchi-built two-stroke powered M-65, M-65S, and Rapido. The M-65 had a semi-step-through frame and tank. The M-65S was a M-65 with a larger tank that eliminated the step-through feature. The Rapido was a larger bike with a 125 cc engine. The Aermacchi-built Harley-Davidsons became entirely two-stroke powered when the 250 cc two-stroke SS-250 replaced the four-stroke 350 cc Sprint in 1974.

Harley-Davidson purchased full control of Aermacchi’s motorcycle production in 1974 and continued making two-stroke motorcycles there until 1978, when they sold the facility to Cagiva and ending it’s run of two-stroke engines.

Photos courtesy of and taken at Harley-Davidson Museum

For additional Harley-Davidson V-Twin Engine History see this page.

Sources:
Craig Hammitt LinkedIN Article
Wikipedia
Cycle World Article (1993) Article

All Rights Reserved (C) Northwest Harley Blog

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This is interesting timing because April is Alcohol Responsibility Month and the partnership announcement stated nothing about responsible drinking and riding!

Sailor Jerry Spiced Rum

The multi-year marketing partnership was announced this month and the two companies will honor the father of American old school tattooing, Norman “Sailor Jerry” Collins and unveil a series of twenty-two customized Harley-Davidson motorcycles designed by high profile artists and visionaries from around the U.S.

If you are unfamiliar with Norman “Sailor Jerry” Collins story, after serving in the U.S. Navy during WWII, he dedicated his life honing the art of tattooing out of his shop on Hotel Street in Honolulu. His shop became the must-stop destination for sailors on their shore-leave.

In the 50’s and 60’s, Americans getting tattoos included the most aggressive elements of counterculture.  And it was a time of another level of commitment to inscribe your body with an image that permanently stated your beliefs, affiliation or anti-establishment attitude.  In the 70’s and early 80’s, getting aggressively tattooed and pierced became a mark of punk culture’s disdain for conformity and social mobility.  Today the range of things that people express with tattoos continues to widen.

Oregon Has 2nd Highest Alcohol-Impaired Driving Fatalities From 2014-2015

But, I’m intrigued about this motorcycle and spiced rum marketing partnership which has some historical IRONY.  First, as previously mentioned the two companies chose April to kick-off the marketing partnership which  officially celebrates Alcohol Responsibility Month.  On the surface, that seems a bit tone deaf considering the increasing number of automobile and motorcycle accidents/deaths related to impaired driving.  In addition, is the fact that Norman “Sailor Jerry” Collins was out riding his Harley-Davidson in 1973 when he had the heart attack that took his life (after collapsing in a cold sweat, he got back on his bike and rode home).  So, when Scott Beck, Harley-Davidson director of marketing stated: “We are struck by the natural ties Sailor Jerry has to the motorcycle culture” it raises some awkwardness in my view and wonder how the two companies ever got mixed up in all this in the first place.

But I’ll stop reflecting and focus on the announcement.

According to the Milwaukee Biz Times — the two companies said the partnership would “come to life in bars, restaurants, Harley-Davidson dealerships and joint celebrations around the country” and consumers should expect a number of shared events leading up to Harley’s 115th anniversary in 2018.  “Sailor Jerry Spiced Rum and Harley-Davidson are all about freedom of expression and customization, whether that is expressed by a Norman Collins tattoo or a bike,” said Scott Beck, Harley-Davidson director of marketing.

The first event will be the unveiling of 22 customized motorcycles at the Harley-Davidson Museum on May 2. Harley’s Forty-Eight, Iron 833 and Roadster models were used for the project.

The artists will incorporate the flash art style of “Sailor Jerry” into their motorcycle design.  And members of the Harley-Davison styling team will also work on the motorcycles to inspire their designs.  The custom motorcycles will be on display at events at liquor retailers, Sailor Jerry’s Fleet Week New York celebrations, the Harley-Davidson Museum and more. The motorcycles will also be available to win in a sweepstakes that starts May 15.

Clearly the reckless spirit of motorcycle riding and alcohol don’t mix.  However, the collaboration with Harley-Davidson and Sailor Jerry Spiced Rum does have a natural feel about it and I’ll be curious to see some of the artwork and craftsmanship that comes from the partnership.

Photos courtesy of Sailor Jerry Spiced Rum and Responsibility Org.

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Screen Shot 2014-06-04 at 2.35.53 PMDo you agree with the adage — “You are what you ride?”

While I don’t claim the axiom is foolproof, there are many observable examples that support the concept — from the successful lawyer driving to the office in a tire-shredding German sedan and then rides a chopped and stripped down Forty Eight on the weekends, to the general contractor who most days is in a tool-ridden F-250, but prefers to ride a CVO Limited, the grand American cruiser for the long road trips.

I fell hard for Harley-Davidson (over 20 years ago now) and it took me more than three models later to acquire the current riding spirit of the Road Glide.

I’ll admit it.  I enjoy the attention that comes with owning motorcycles of the Harley-Davidson caliber — parking lot discussions and drive-by salutations from strangers.  Sure it sounds pretentious, but I’ve spent way too much time behind the handle bars of a Honda and Yamaha to resist metaphorically blowing my own horn.

Right or wrong, many of us place a great deal of importance on what we ride. Critiquing others freely, we are likewise judged by the sheet metal of our ride.  Because, like it or not, motorcycles are a reflection of ourselves — a view into our wind in the face wandering soul.

Think about it.

We often purchase what fits our current character and life status. Everything from the color to the style and model is carefully and deliberately selected.  Much of our riding and our life for that matter, is spent developing this ride persona — and it evolves as we do.  Our environment may change from year to year where a mortgage or a kid in college influences what sits in the garage — as would the line of work, the economy, the community and our circle of friends.  Whether we currently own the motorcycle of our dreams does not mean the statement is any more or less true.

As we know, not everyone can live with a Harley-Davidson status symbol — whether they intended to or not. Just go to any dealer and look at the low-mileage castaways in the used area. Those owners moved on to a more practical ride or abandoned the entire motorcycle “lifestyle.”  An association with a Harley-Davidson motorcycle is an extension of ourselves and a natural consequence of the freedom of the road culture. Like clothing, we dress in leather, steel and rubber, the same as we do with cotton or silk. Color, texture, design and shape — we’re being seen in public with our best “outfits.”

But, there is one great equalizer for all this pomp and circumstance activity — the gas station!  It’s the one place where we gather like creatures in the desert at the waterhole, replenishing empty tanks. The perfect spot to critique both motorcycle and rider while staring through polarized shades at the others from a distance.  I might dismount and swipe a credit card at the pump as fellow bikers draw conclusions based on my re-fueling habits.  I’m not bothered by that — after all, I’m doing precisely the same thing they did just minutes earlier.

Vanity comes in many forms, and even the modest will present their motorcycle with some defiance — like wearing blue jeans to a formal event.  It’s just a different perspective.

You may deceive society by how you look and the way you dress, your manner of speech and education, the neighborhood you live in or the reach of your bank account, but none of this really matters in a material world.  Because in that moment of judgement, you are inevitably what you ride.

Photos courtesy of H-D
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HD TankI’m talking about rider “connectivity” which has become a topic of discussion and debate in certain circles.

Technology content, infotainment and virtual connectivity all seem to be the metrics by which a growing portion of the motorcycle community defines the performance or desirability of a motorcycle. 

Don’t get me wrong, I’m a big fan of connectivity in motorcycles, but it’s not the kind that involves touchscreens, phones, Nav, satellite radio and cell towers. My definition of connectivity involves the seat of your pants, your hands on oversized handlebars and your feet on the pegs. 

It’s the visceral connection, not the blue-tooth connected one!  It’s the emotional and physical connection, the one that makes you want to ride it. How does the infotainment touchscreen with VOX interrupts provide that?

I’ll assume most Harley owners are as passionate about riding their motorcycles as I am.  Yet, as I travel around it seems many of you are suffering from a “connection disorder” — an affliction that occurs when a rider can’t connect their multitude of electronic devices with their motorcycle!  

I want to connect via my senses, not my phone. Direct steering feel, linear brakes, great lateral grip and the melodious exhaust soundtrack are what connect me when I’m riding.  I want a motorcycle that puts me deep into the rider, motorcycle and road feedback loop.  Not one that isolates me from it.  Or distracts me from my riding senses.

How did this Harley-Davidson connection disorder come about?

It started with the launch of the Boom! Box Infotainment System and the affliction has grown exponentially.  Back in the day, multitasking while riding was about downshifting smoothly while braking and throttling up for the next corner.  Multitasking today is about loudly shouting to activate the intercom while navigating through menu tabs to deactivate your appointment alert.

Historically a mechanical aptitude and a passion for motorcycles was everything needed to enthusiastically explore the world of 2-wheel vehicle dynamics.  In 2015,  you’ll need some “tech genes” in your family tree or be prepared to visit a genius bar in the Harley-Davidson dealership.

I’m unsure why Harley-Davidson is so busy developing and marketing motorcycle connectivity technologies that don’t even involve being on the motorcycle, much less riding it.  Can you spell “wearables”…  It won’t be long before your watch connects to the infotainment system.  Monitoring your heart rate as you cruise the two-lane blacktop is something all riders will want, right?

As I’ve traveled around this year I’ve witnessed riders affected with the disorder — not many at first, but enough to know I was witnessing a connection disorder trend that will only spread.  I hope it’s not contagious!

Photos courtesy of H-D

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Cover_ProxyNothing says ‘freedom’ like loading up your motorcycle with the minimum essentials and hitting the open road to explore.

The U.S. has over 4M miles of public highways.  But, which is the best road?  Where are the roads less-traveled?  Whether you’re looking for a ride on a twisty or a relaxed cruise on a scenic back country byway you’ll likely want a map.

Have you ever traveled Oregon 238?  It’s described as a ‘backway’ between Grants Pass and Medford and an exceptional alternative to traveling I-5.

Later this week is the Hells Canyon Rally in Baker City, Oregon.  I wonder how many riders will venture off I-84 onto the “Journey Through Time Scenic Byway” at Biggs?  It’s an endless set of curvy roads with incredible scenery and plenty of space to get lost…mentally!

This isn’t a post about planning out a trip to the Nth detail.  Getting on the motorcycle with the wind in your face and traveling to no place in particular has a lot of merit.  But you’ll likely need a map and I’m interested in the science of paper vs. screens.

Oregon

Oregon

Yeah, I know many of you out there pinch, swipe and prod an electronic device to determine a route.  I’m a bit “old skool” and think paper maps have a unique advantage that the more popular e-technologies miss.  In most cases, paper has more topography than an onscreen electronic reader.

An open paper map presents the motorcyclist with two clearly defined domains—the left and right pages—and a total of four corners with which to orient oneself.  The rider can focus on a section of a paper map without losing sight of the whole region: one can see where the route begins and ends and where one section is in relation to those borders.

A paper map is like leaving a footprint after another person on the trail—there’s a rhythm to it and a visible record of how far I’ve traveled.  It makes it easier (for me) to form a coherent mental map of the geography.  In contrast, most screens, and smartphones interfere with intuitive navigation of a location and inhibit people from mapping the journey in their minds.

Beyond the obvious disadvantage of needing internet to access internet-based maps, a digital map might have you scrolling through a seamless number of pages, tap up or swipe over to a page at a time and it is difficult to see any one area in the context of the overall route—the screen only displays a single virtual page: it is there and then it is gone.  I think the implicit feel of where you are on a physical map turns out to be more important than we realized.

But, maybe you’re the type of rider who rolls past the trees, rocks and moss in flashes with no trace of what came before and no way to see what lies ahead.  That’s fine.

If you’re the type of person who takes a more deliberate approach to your riding adventures then you’ll be interested to know that Oregon recently updated the official state map.  The last time it was updated was Summer of 2013.  The new map has shaded relief for terrain and new colors designating BLM owned land.  It also contains updated inserts of major cities as well as updates to state highways.  You can down load or order a map HERE.

Photo courtesy of ODOT’s Geographic Information Services.

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Advert in 2012 – Nothing can replace the real one. Use original Harley-Davidson parts.

Halloween’s coming, and with it “mischief night”—which means it’s the season for pranks.  And being on a Friday night this year means egged houses and toilet-papered trees are the order of the day for the mischievous.

Did you know that Harley-Davidson has been pulling clever pranks for years?  All with the intent of snagging the attention of often-distracted online observers/customers.

This phenomenon, has a name now—“prankvertising”—which has really ramped up in recent years, perhaps because of Halloween or maybe because agencies like doing the unorthodox and testing consumer limits.

The photo with this blog post is an in your face example that mashes all the politically incorrect buttons.  Some would debate it provides confirmation of how completely out of touch Harley-Davidson is or was in deploying this image as a visual ‘joke.’

Is the motorcycle culture’ a petri dish of people who know so little about human social interaction and how professional life works that advertising agencies can concoct up this stuff straight-faced, thinking there are no consequences?

I’m sure some of you will view this as demeaning, insulting and extremely sexist. Harley-Davidson on the other hand and their agency (Big), didn’t think they were objectifying or exploiting women in this ad or even blink by portraying women and comparing them to a motorcycle part, and picturing them as sex toys.

Full Disclosure:  My initial reaction when I first saw the ad and tag line, “Nothing can replace the real one. Use original Harley-Davidson parts,” was to laugh out loud and marvel at the clever humor, but then political correctness kicked in and I made a note that advertising agencies should really realize their responsibility towards society and their target audience.  Given Harley-Davidson’s significant outreach to the woman demographic for motorcycle sales it’s highly unlikely you’ll see something like this again.

Photo courtesy of Harley-Davidson and Big, İstanbul, Turkey

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Easy Rider Poster at Sunset Gower Studio

Easy Rider Poster at Sunset Gower Studio

Last spring I happen to be in Hollywood on a work gig and got a Sunset Gower Studio tour.  Sunset Gower has been part of the Hollywood film history since there was a Hollywood.

While wandering through the writers’ suites and the studio lot I walked down this hallway and came across an Easy Rider poster.  The Sunset Gower sound stages were used for the movie.

No one could have predicted that Dennis Hopper and Peter Fonda’s small budget film, fueled by motorcycles and amazing music would redefine pop culture.

In fact, it’s impossible to even think about this film without the opening riff of Steppenwolf’s “Born to Be Wild” echoing in your head.  In the movie industry, it’s rare that a film and its soundtrack break through to the masses.  Easy Rider was an incredible success commercially and culturally (it inspired an entire genre and a hundred knockoffs), and the impact of the soundtrack was revolutionary.

“The idea was to have the music which accompanies the cross-country cycling scenes reflect current times,” Peter Fonda told Rolling Stone in 1969. By compiling prerecorded tracks and music specifically created for the film to make a “musical commentary” and companion to the movie.

IMG_2785Additionally, the Easy Rider soundtrack laid the groundwork for Michelangelo Antonioni’s Pink Floyd-led Zabriske Point the following year and nearly every classic film soundtrack of the next four decades, from Singles to Forrest Gump to Drive.

The soundtrack paints a picture of the counterculture on the brink of the Seventies.   Steppenwolf’s get-on-your-bike-and-ride anthem along with the bluesy dealer epic “The Pusher,” and the classic cuts from the Jimi Hendrix Experience, the Holy Modal Rounders and the Byrds (whose Roger McGuinn also scored the film) makes an epic film.

As the story goes, Bob Dylan was recruited by Peter Fonda to pen the film’s theme “Ballad of Easy Rider,” (soundtrack) and after jotting out a few lines, told the actor to give the lyrics to McGuinn to flesh out.

Photos taken by author and courtesy of Sunset Gower Studio and Silver Screen Collection/Hulton Archive.

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